Of all the American landscapes that Ansel Adams immortalized through his images, Yosemite was the most deeply personal. In Yosemite he discovered his spiritual home and built his family. He first visited the Park in 1916 and he returned every year thereafter, meeting his wife there and then raising his family within Yosemite's splendor. Ansel hoped his images would inspire park visitors to become activists for Yosemite's preservation, instilled with a deeper connection to the natural world and desire to protect it. With that as his main goal, Ansel conceived this series of Yosemite Special Edition Photographs in the late 1950s. With images of Half Dome, Lake Tenaya, Merced River and more, he invited everyone to be of part of his 'art as activism" by pricing the prints at an affordable cost. We honor that intention today, offering these stunning silver prints to all who wish to express their love for Yosemite and desire to protect it as a natural wonder.
Today, with America’s wild spaces increasingly under threat, Ansel’s vision for the Special Edition Photographs remains as relevant as ever.
Yosemite Special Edition Photographs are the closest photographic reproductions to Ansel’s original masterpieces, painstakingly handcrafted from his negatives by former assistant Alan Ross. Alan Ross worked under Ansel’s direct observation from 1975 until 1984, and has been producing the series in accordance to Ansel's instructions ever since. Each silver photograph shimmers with brilliance, with richly perfected black and white tones. From a selection of 29 stunning images of Yosemite, each photograph is printed in 8x10 inches and authorized by the Ansel Adams Publishing Rights Trust. With professional framing available, this collection ranges in price from $375 (mounted and matted) to $800 (framed).
We invite you to stand with Ansel in his commitment to honoring and cherishing the unparalleled beauty of Yosemite by showcasing an Ansel Adams Yosemite Special Edition Photograph. As an owner of a Special Edition Photograph, you too can share Ansel's vision, inspiring others to preserve and protect Yosemite for years to come.
About this Image
Ansel Adams made this image around 1959 with an 8" x 10" view camera. The image was once used in a commercial job, as he recalls in "Ansel Adams: An Autobiography:" “In 1969, for one of my last commercial jobs, I selected a photograph, "Yosemite Valley , Winter"…for reproduction on a Hills Brothers coffee can. The idea was to produce something of lasting attractiveness after the original contents of the can had been consumed…Potentially corny: actually reasonable. There were thousands of three-pound cans filled with coffee sold nationwide in grocery stores for $2.35 each." When she saw the coffee cans, reliably acerbic Imogen Cunningham criticized him for selling out. Cunningham had shown her work alongside Adams and Edward Weston in the 1932 Group f/64 Exhibition at the M.H. de Young Memorial Museum in San Francisco . To make her point, she had a friend deliver one of the cans filled with manure complete with a sprouting marijuana plant dubbing it a "pot in a pot." Ansel Adams took the ribbing well, saying: "I enjoyed Imogen's joke, but when my good friend and fellow photographer Henry Gilpin, then deputy sheriff of Monterey County , dropped by and spotted the plant he quietly suggested that I destroy it. I did.” In addition to being 'published' on the coffee can, it is on the cover of Yosemite and the High Sierra.
Yosemite Special Edition Photograph Framing Details
Frame your Special Edition Photograph and receive it ready to hang and designed to stand the test of time. Our Gallery makes framing easy, offering competitive prices, speed and convenience. Every frame is professionally built by our team of expert craftspeople using the highest-quality materials (wood or metal moulding, acid-free mats and foam core, and optional acrylic with 99% UV protection). Our turnaround time is fast—usually 2-3 business days to create your piece— and then we ship your finished work of art to your door.
Standard vs Museum Acrylic
Premium Gray Welded Frame
Standard vs Museum Acrylic
We use Tru-Vue Picture Framing Acrylic (plexiglass) on all of our prints. Acrylic is strong, shatter-resistant and abrasion-resistant. When shipping your artwork, acrylic vastly safer than glass.
Our Standard Acrylic is Tru-Vue Premium Clear Acrylic. This is high-quality framing-grade clear acrylic that provides safety and security from injury and breakage. This acrylic blocks 66% of UV rays.
Our Museum Acrylic is Tru-Vue Optium Museum Acrylic®. This is virtually invisible, yet provides the ultimate protection for your artwork. It is the highest-quality acrylic available and is used by the world’s most renowned museums. This acrylic provides 99% UV protection. Is anti-reflective, abrasion and shatter-resistant.
Premium Gray Welded Frame (formerly known as “Custom Gray Frame”)
Made exclusively for our gallery. This closed-corner welded aluminum frame is custom-made for The Ansel Adams Gallery in Ansel’s Zone V gray. This is our preferred frame for Yosemite Special Edition Photographs. This frame features a ⅜” face and is painted to be a flat gray zone V finish.
Our wood frames are premium quality solid wood, contemporary style frames with a flat face. Offered in White and Black Colors
For Yosemite Special Edition Photographs is ⅞” face moulding
Standard Metal Frames
Our metal frames are Nielsen with a ⅜” face . Sleek, clean, contemporary frames available in German Silver and Matte Black colors.