- Image Date: 1944
- Print Type: Archival Replica
- Print Size: 8"x10" to 30"x38"
- Image Preparation Time: Please allow 5 to 7 business days, plus shipping
- Technical information on Ansel Adams Archival Replicas included
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Each Archival Replica is individually produced and inspected, and matched to a master proof. It is âTâ hinge mounted to an acid-free backer and overmatted with 8-ply museum rag board. The image and paper is estimated to resist fading or deterioration for over 180 years. The overmat, custom selected and cut to the image, has a generous border to create a powerful effect. Framing options have been carefully selected by our experienced staff to make the most beautiful presentation possible.
Have us frame your Archival Replica and save time and money.
Color Options
| Metal Frame Colors |
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| Matte Black, a non-gloss matte black metal finish |
German Silver, a soft brushed champagne silver metalic finish |
Graphite, a medium gray gunmetal metalic finish |
Wood Frame Colors |
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| Valley Walnut, a warm reddish brown with fine walnut grain striations |
Black Oak, a matte black stained oak grain |
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Frame Profile Options
Metal (Approximately 1 " width, 1 1/4" depth) a medium flat faced
aluminum frame
Wood (2" width, 3/4" depth) a flat, wide width, eco-friendly wood
frame
*NOTE: Wood frames are not acid-free
Size Chart
Dimensions are listed in inches
image size |
matted size |
narrow metal frame |
wide metal frame |
wood frame |
8x10 |
16x20 |
17x21 |
18x22 |
20x24 |
11x14 |
20x24 |
21x25 |
22x26 |
24x28 |
16x20 |
24x30 |
25x31 |
26x32 |
28x34 |
19x24 |
20x34 |
29x35 |
30x36 |
32x36 |
On four successive mornings Adams tried to take this photograph from the east side of the Sierra. On the fifth day it was still dark and bitterly cold when he set up his camera on the new platform on top of his car and retreated to the warm interior. As dawn drew near, he returned to the camera to await the sun's first rays on the meadow. "I finally encountered the bright, glistening sunrise with light clouds streaming from the southeast and casting swift moving shadows on the meadow and dark rolling hills." At the last possible moment, the horse turn to offer a profile view. Many years later he wrote "Somethings I think I do get to places just when God's ready to have somebody click the shutter!"
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