Image Date:  1944 Print Type: Archival Replica Print Size: 8"x10" to 30"x38" Image Preparation Time: Please allow 5 to 7 business days, plus shipping Technical information on Ansel Adams Archival Replicas included

Each Archival Replica is individually produced and inspected, and matched to a master proof. It is “T” hinge mounted to an acid-free backer and overmatted with 8-ply museum rag board. The image and paper is estimated to resist fading or deterioration for over 180 years. The overmat, custom selected and cut to the image, has a generous border to create a powerful effect. Framing options have been carefully selected by our experienced staff to make the most beautiful presentation possible.

Have us frame your Archival Replica and save time and money.

Color Options

Metal Frame Colors
Matte Black, a non-gloss matte black metal finish	German Silver, a soft brushed champagne silver metalic finish	Graphite, a medium gray gunmetal metalic finish
Wood Frame Colors
Valley Walnut, a warm reddish brown with fine walnut grain striations	Black Oak, a matte black stained oak grain

Frame Profile Options
Metal (Approximately 1 " width, 1 1/4" depth) a medium flat faced aluminum frame
Wood (2" width, 3/4" depth) a flat, wide width, eco-friendly wood frame

*NOTE: Wood frames are not acid-free

Size Chart
Dimensions are listed in inches

image size	matted size	narrow metal frame	wide metal frame	wood frame
8x10	16x20	17x21	18x22	20x24
11x14	20x24	21x25	22x26	24x28
16x20	24x30	25x31	26x32	28x34
19x24	20x34	29x35	30x36	32x36

On four successive mornings Adams tried to take this photograph from the east side of the Sierra. On the fifth day it was still dark and bitterly cold when he set up his camera on the new platform on top of his car and retreated to the warm interior. As dawn drew near, he returned to the camera to await the sun's first rays on the meadow. "I finally encountered the bright, glistening sunrise with light clouds streaming from the southeast and casting swift moving shadows on the meadow and dark rolling hills." At the last possible moment, the horse turn to offer a profile view. Many years later he wrote "Somethings I think I do get to places just when God's ready to have somebody click the shutter!"